A postman, a family, and an unseen chair: amazing reunion of the van gag museum

The Van Gag Museum is bringing back a scattered family together, this fall was a postal worker, his wife and their children who were sitting as models. Dutch Master at the time when he was struggling to make friends French City.

The pictures of the bearded postman Joseph Rollin, his wife, the daughter of two sons and the baby have been brought together for an exhibition titled “Van Gag and The Rolins. Together together.

Is on the show Amstardam After a run in The Museum of Fine Arts in Boston, which provided one of the exhibition’s centralpes, a picture of the postman (he was actually a post clerk) with a gold button in his blue uniform and a trim sitting in an armchair made of local willow in his blue uniform.

While preparing the show, Van gog museum Found a lot of chair painted in the picture in her storeroom and is displaying it for the first time. It was considered very delicate to be sent to Boston for the show.

“As it turns out, this is the chair in our collection, but we have never shown it before,” said Emily Gordankar, director of the Van Gag Museum. “And this only shows you when you start working on a subject – in this case, the Rolin family pictures – all kinds of things that you may have never thought of and it is really exciting for Rediscover, as it was, your own collection.”

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Vincent van Gogh From July 1888 to April 1889, a total of 26 paintings of the family were made in a burst of creative activity. The museum features 14 with his friend and fellow painter Paul Gauguin and Dutch Golden Edge Masters Rembrants Van Regain and France Heles, whose work was the major sources of inspiration.

“Many people actually consider his arles duration at their peak,” Gordankar said. “I am not sure we fully agree with it, but this is definitely a moment when he turns into a corner … his power actually comes out as an artist.”

In a upper room, the museum has created a life-shaped mask of Yellow House which was used by Van Gag in Els as his studio, where Rolin Van became more than just one model for Gag.

The artist wrote in a letter to his brother, Theo in April 1889, “While Rollin is not at all older to be like a father, everyone has silence and tenderness like an old soldier for me.”

Nineke Bakr, who cured the show with Katie Hanson from the Boston Museum of Fine Arts, said the duration of the ereles was important for Van Gag’s artistry.

“He really says that painting people brings out the best for me, but also makes me feel part of humanity. So it’s a very important thing,” said the goat.

He said that after leaving Van Gag, the chair went into storage and then the artist’s relatives were passed and eventually passed to the museum.

The museum is now displaying the chair with painting from the Boston Museum which has rulins and chair.

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Bakar said, “It is definitely moving ahead for this magnificent picture, but also that he was able to be able to show the real chair and to feel that it was a fairly simple short chair,” the goat said.

The exhibition opens on Friday and runs from January 11.