Timothée Supreme: How Chalamet Finally Escaped Boy Next Door Purgatory

Timothée Supreme: How Chalamet Finally Escaped Boy Next Door Purgatory

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medium sizeArty Supreme The film begins with a bang: a sling snaps, a rushed climax and a montage of sperm trying to break into an egg. These swimming tadpoles carry a message and set the direction of the film, reminding us that some scrawny hopefuls are stronger and more persistent than others. Such is the case with Marty Mauser, the busy antihero in “The Movie.” The Underdog Fable by Josh Safdieas is the fact Timothée Chalametthe film’s headline star. Earlier this month, Chalamet Won the Critics Choice Award For his performance and last night Won the Golden Globe Award. He is now the bookmakers’ favorite for the Best Actor Oscar.

While gamblers and con men alike aren’t always trustworthy, there’s no denying Chalamet is exciting as Marty, a shabby shoe salesman in early 1950s Manhattan who fancies himself a table tennis superstar. Marty paddled like Augie March’s East Coast cousin; a coaxing freestyle opportunist with a mop of Brickrim-colored hair and a mustache like an undernourished caterpillar. He is a hopeless, reprehensible thief and liar, fueled by feelings of self-entitlement and self-pity.

The fact that we’re able to accept him—let alone cheer for him—is largely down to Chalamet, who makes the man nuanced and convincing without softening his edges. It’s already been a good and eventful year for Best Actor Oscar candidates, so Oscar voters may be swayed by Ethan Hawke’s emotional high-profile performance in the film. blue moon Or Joel Edgerton’s tight-lipped restraint in tragedy train dream. it is Marty SupreHowever, this provides the biggest fireworks display of the season.

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The film feels like a major transition for Chalamet, a developmental breakthrough for an actor who has always looked younger than his age and therefore has been playing children for longer than is strictly healthy. Hollywood star genes are as important as acting talent, and Chalamet’s destiny was to play Elio Perlman, the teenage hero with the big eyes. please call me by your name (2017), almost too perfect. The role earned him his first Oscar nomination and made him an international sensation, but it also led to him being cast as a symbol of the clear-eyed, sensitive young man, just as other actors were cast as goofy dads or by-the-book police chiefs.

To be sure, none of Chalamet’s subsequent photos were complete duds. He is just like the handsome prince in the play lady bird (2018), playing a miserable addict beautiful boy (2018), as Wes Anderson’s student provocateur, was passable france express (2021), a film that wouldn’t be incendiary if someone came along and set its pastel-colored staging on fire. This is simply his portrayal of the childish Henry V in Henry V . king (2019) appropriately strains believability as it pits him against actors twice his size, cutting his way through French armor like a kid playing dress-up in a suburban back bedroom. Most movies require a certain amount of confidence from the viewer. kingHowever, one needs to jump across the English Channel immediately.

The 29-year-old star is naturally not suited to a Schwarzenegger-style career in action movies. Physically and aesthetically, the role just didn’t suit him. He represents a different brand of masculinity in the 21st century. new york times Last year, Chalamet became the unofficial frontman of a band known as the Noodle Boys, a group of “slender” androgynous-looking performers that include stranger things” Finn Wolfhard, Dominic Sessa something to keep (2023) and Russian-born Mark Eydelshteyn, who played Brighton Beach Kid in the Oscar-winning film Anora (2024).

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For now, it’s a neat catch-all label. Except every noodle boy is just the latest version of the boy next door, a Hollywood archetype as old as malt shops and white picket fences. If past evidence tells us anything, it’s that the boys next door peaked early and then had to adapt and regroup. Mickey Rooney aged like milk, the great Montgomery Clift self-destructed. Anthony Perkins turns inward and dark, recasting the clean-cut American as a knife-wielding psycho killer.

Or, consider the case of Leonardo DiCaprio, a fresh face in nineties Hollywood who has recently positioned himself as Chalamet’s wise old mentor. “No superhero movies and no drugs,” DiCaprio Tell his students that this is sound advice on both counts.

DiCaprio’s own career, however, provides Chalamet’s most reliable road map, as it shows how he was able to withstand the first shock of fame and transition into rewarding adult roles – temporarily at first. pilot (2004) and blood diamond (2006), then optimistically, triumphantly, with like The Revenant (2015) and once upon a time in hollywood (2019). Perhaps every young actor goes through the career equivalent of adolescence, those awkward years when they can’t quite convince themselves to become a fully fledged adult. But good people—tenacious swimmers—eventually come out stronger.

“This is probably my best performance,” Chalamet boasted of his performance in Marty Supre. “This is top-notch stuff,” Marty himself might have said, a bit of a postmodern publicity circus cry that would at least annoy a lot of people and probably amuse a lot of people. But annoyingly, he was right: there was no doubt about it. As his 30th birthday approaches, the actor has grown into a part of the picture and escalated from dune (2021), Wonka (2023) and Completely unknown (2024) This is undoubtedly his most compelling adult role to date.

Timothée Chalamet in
Timothée Chalamet in “Marty Supreme” (A24)

On screen, the emotionally unstable Marty Mauser ends up facing off against the ice-cold table tennis champion Endo Endo (Kawaguchi Koto) from Japan. Off-screen, if the bookies are to be believed, Chalamet’s main rival for the Oscars is none other than his mentor DiCaprio, who played one battle after another (2025). The arrogant young gunslinger and the calm old samurai. The boy-next-door battle of yore. It’s the kind of cheesy Hollywood ending that would make a filmmaker blush, but it’s gallery-friendly and its showbiz panache is impeccable. This is the latest twist that will make the film’s story complete. A real-life climax at the Oscars, guaranteed Marty Supre They both came in with a bang and went out with a bang.

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Marty Supreme will be released in UK cinemas from Boxing Day