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wWho is the funniest person alive? It may be an unanswerable question (“How long is a piece of string?”), but there are few people as confident in their claim to this title as Tim Robinson. Comedian best known for his gonzo Netflix sketch series i think you should leave Over the past decade, has become one of the most trusted names in comedy. That series was a chaotic mix of insane mistakes – it’s hard to even describe. (Among the sketches: a toxic “Baby of the Year” pageant; Santa Claus having a sour press junket to promote an action movie; a party at which hired celebrity impersonators are given contractual “permission” to attack guests.) At the center of the show: Robinson himself, a fiery, angry, drooling, and all-around eccentric force of nature.
There is no doubt that it is on the indomitable strength of the Robinson brand that HBO commissioned a series titled chair company – A ridiculously unoriginal title, with a premise to match. Debuting last month (on Sky and Now in the UK), the series follows Ron Trosper (Robinson), a company employee organizing the development of a new shopping mall. However, Ron’s comfortable suburban life begins to unravel when he begins to investigate a mysterious and far-reaching conspiracy involving Tekka, a chair maker. It’s sheer, unpredictable nonsense, and often downright ridiculous. like most Robinson’s work – and especially i think you should leave – This feels like the kind of thing that will get richer with repeated viewings.
Apart from Robinson, and unusually for an HBO series, there are few recognizable faces to be seen here. Lake Bell (boston legal) plays Ron’s wife, and Sophia Lillis ,itChapters One and Two) plays the role of his daughter. Otherwise, the cast is made up of relatively unknowns (a major role, that of quirky squirrel Mike Santini, is played by an actor named Joseph Tudisco). Zach Kanin, Robinson’s frequent collaborator and co-producer chair companyHas said that this was done for realism. maybe that’s the gist of it chair companyAnd indeed much of Robinson’s work: despite all its absurdity, there is something very real about the world he creates. (A second season has been confirmed.)
Robinson is a creature of the modern world, whose sensibility — a kind of comic hellscape of anger, confusion and embarrassment — speaks directly to Trump-era America. However, he technically found his breakthrough in the middle of the Obama era, when he was hired as a new artist Saturday night Live in 2012. (Aidy Bryant and Cecily Strong joined at the same time, the trio replacing Andy Samberg, Kristen Wiig, and Abbey Elliot.) Robinson, a performer with a very distinctive tone and range, proved somewhat difficult to adapt to the series, and she moved to a staff writing position after a year—a first for anyone. snl Starr was appointed only as a performer. However, as a writer, he also faced the same problem, with many of his sketch ideas also being rejected. Besides, Or just very stupid. (One such pitch: a sketch about “leather life jackets when the good guys fall overboard.”) Many would later be redrawn. i think you should leaveWhen mainstream laxity was no longer a concern.
he left snl Without much notoriety in 2016 or a particularly rich bank of sketches produced to his name – but a very deep understanding of the TV industry. he was able to pitch successfully DetroitersA very funny and very sweet sitcom about two ragged ad men in Robinson’s hometown of Detroit; Sam Richardson (Veep) Completed the entire double task. Canceled in 2018 after only two seasons, Detroiters never really found an audience on Comedy Central, although it has maintained an enthusiastic cult fan base. i think you should leave It was a different story. The success of that show, both in terms of formal recognition (including an Emmy win for the series and Robinson as an actor) and verbal praise, has made Robinson a thingUntil chair companyOr this year’s theatrically released film friendship (starring Paul Rudd), came around, people knew what to expect from a Tim Robinson vehicle.
It’s interesting to consider how Robinson fits into the broader scheme of comedy – what does that feel like about his work? NewHistorically, the cutting edge aspects of comedy have been found in the act of pushing new boundaries, transcending formal boundaries, It is not hard to trace a straight line from the fundamental randomness of Monty Python’s Flying Circus For example, through the surrealism of Tim and Eric’s pinball online era. But we now live in an age where most formal boundaries have been pushed to their limits in almost every imaginable way – whether it’s absurdity, clarity of content, or metatextuality. talent of i think you should leave Then it comes not from its form, but from its content. And its content is unlike anything that has come before it.
Robinson’s work transcends one of the most fundamental dynamics of narrative comedy: the straight man and the comic foil. In his sketches, there is often a character, often but not always played by himself, who apparently fits into this latter category. Robinson’s characters are often disruptive, maladjusted individuals, unable to understand or follow the unwritten rules of social conduct. But the more you watch, the more you become mesmerized by the strangeness of everyone else’s behavior; Straight men are just as alien and unrealistic as clowns.
There is also something indescribably “unpleasant” about Robinson’s dialogue – a kind of hollow imitation of real-world social interactions. By the fifth or sixth time you watch Tim Robinson’s sketch, what tickles you most is not the outsized slapstick, but the almost imperceptibly off-kilter strangeness of the setup lines, which is how the seemingly benign sometimes-sometimes-sometimes-sometimes goes wildly wrong. For Robinson, the mundane activities of modern post-capitalist life – office meetings, board game socials, surfing the Internet in the dark of night – are not so much disrupted by chaos as they are natural platforms for it. He doesn’t try to understand the world, He exposes its inherent senselessness.
And yet, there comes a point where analyzing Robinson’s comedy becomes futile. If we look at Nathan Fielder rehearsal – This Year’s Best and Funniest TV Shows – We see a comedy that invites complex and intricate dissection, a layered pile of dramatic ironies and knowing contradictions. Robinson’s humor seems to come from something much more primitive. Most of all, he’s a guy who knows what’s inherently funny – whether it’s something as vulgar as a hoarse voice, or a weird squint. getting out of snl It wasn’t just a boon for his career – television itself is much the richer for it.
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‘The Chair Company’ is available to watch on Sky and Now