New York (AP) – Charlie Brown and Snupi Amy Amy Awards go to a new, Bittersweet Apple TV+ especially SleepAway Camp by a pair of lyricists, which are being billed as “peanuts” music in 35 years.
“My inspiration has always been to preserve and enhance my father’s legacy,” co-author Craig Shulz, the iconic comic strip “peanuts” says a son of the manufacturer Charles. S. Shulz. “So this is really an honor to play with these children.”
“Snupi Presents: A Summer Musical,” Jo Friday, which features Five songs – by two Jeff Maro, Alan Zachari and Michael Vener – and by three – by three Ben folds,
Folds says, “If someone asked me to write for the point of stupid children, I would be difficult because I do not like to talk to anyone, there are very few children,” Folds. “Peanuts” is not so. We are working in very rich, fertile soil. “
What is special?
Special children exclusively opens up to catch the bus at the CloverHil Wrench camp, but Sally is not sure it is going to be great. “Honestly, elder brother, I could live home,” she says.
Sally is initially scared of jokes and rituals inside the camp, closing in pests, endless climbing, no TV, cold lake water and knotted beds.
“You wake up in the morning “There is no food that you will say upscale/This whole effort, an epic fail/and it is diplomatic.”
Relying on “peanuts” to find out reluctance from leaving home and finding reluctant from fear of change. Craig Shulz, who co-written the script with his son, Brian and Cornelius uliano, broadcast some from his childhood.
“CloverHil Rench is actually a take-off of one in Santa Rosa called Clovelife that I went as a child and hate. I came out after a week and went home,” they say. “So many connections in the film came back in my childhood that we knitted in the film.”
While the Sally is hot in the camp, snowopy finds out what he thinks is a treasure map that will turn it into a rich pooch, which will lie down over a gold dog house. And Charlie Brown comes to know that this heat will be final for his favorite but struggling camp – until he does anything.
“I think your generation will sit in front of television instead of sitting under the stars,” he tells Sally. “We have to protect these types of places because once they left, they left forever.”
A concert to save the camp
Charlie Brown comes with the idea of inviting generations of camp-cowers for a money-ravaging concert, but the sky gets dark on a big day, threatening to cancel the incident and send it to the spiral “good grief”.
“Charlie Brown is different in this special,” director Eric Vische says. “He is really happy. He loves this place. And that’s why when we get that scene it is so effective because he returns to zero, we traditionally know him.”
The folders supplied the cute, the last three songs – “Woen We Ware Light,” “Look up, Charlie Brown” and “Leave It Better” – and credits their song writing colleagues to set the stage.
He says, “When I had the first two songs, and I just take steps at the point where things are really complex and sad,” they say.
The folds first loved a musical theater, written in 2022 for “peanut” Earth Day Song “It’s the Small Things, Charlie Brown” and some songs for the film “Over the Hedge” in 2006.
“People can easily confuse a song that looks like a music theater with a song that should be a music theater,” they say. “What is the value of the song really that it reduces the need for a good five to 10 pages of the script.”
This October is the 75th anniversary of “peanuts”, and the music comes with a boatload of branding, from the tote bag to the shoes by the coach and the shoes by the Starbucks Mug.
Craig Shulz is already working on a second animated music with his son, falling in love with family business long ago.
“I always wondered how my father in the world can go to office for 50 years every day and write a comic strip every day,” he says, trying to compare it with a chocolate conveyor belt with Lucy, “I Love Lucy” episode.
“Then I came to know that he had a family of five children, but I really feel that he enjoyed going to the studio and ‘working with peanuts and he was also more than his real family. He was more than his real family. He was there and hugging, hugging them, attracting them, happy, unhappy, whatever it was. It was a world that I could never leave.”
Mark Kennedy, Associated Press