AVeteran British filmmaker, Lfred Hichcock was given the “The Master of Suspense” label in the 1940s, such as in view of the hit Doubt And NotoriousThis will prove to be a suitable monkey in the last third of his career, where his biggest task – rear window, Head of head, crazy – Cinema had a revolutionary influence. Since then, they have often been copied, but never better – and, gradually but of course, the culture is away from suspense and towards satisfaction. Enter, then, Ryan Murphy: The Master of Gratification.
Back in 2011, Murphy was best known to the audience nip Tuck Who made Unexpected debate in the high school world with a capela Gaiety, But then they started work American Horror StoryAn anthology shows that a troupe of returning actors deal with various topics with a canon of style. Since then, he has given a full vent to his icky instinct, which has apothosis Demon Franchise. The first series followed the infamous cannibal Jeffrey DahamarWhile follow -up Pararicidal menendez brothers created a lot of interest in brothersNow returns with the show Monster: The Ad Jean StoryA wide eye on the life and heritage of Ed Gein (Charlie Hannam), Sometimes “Godfather of serial killers” is called “. Jean was convicted of just two murders, but serious revelations of the investigation-a bowl made of human skulls, the face-watered masks, a lampshade provided with skin-have been converted into ur-rakshas.
“Ed Jean did not impress just one style,” NetflixPress release for Demon Reads, “He became the blueprint of modern horror.” And this is the one that determines to prove the new series of Murphy. Weave in the production of eight episodes crazyWhose killers, Norman Bates, Jean and his overgrowth, mother fear of God (Khela, here, here, by Laurie Metkaf, from here, here, also, also, were based on the relationship between a Litany of other descendants. Texas Chainsaw Massacre To MalevolentThis is an Ode for the development of horror – the way it fears from our real life and transforms them into a cellulide nightmares – which also explains how our hunger has changed.
“Only a mother can love you,” young, delicate ad (Hannam on Hannam, muscle and rather unconfirmed form). We later look at her disintegrated corpse, in various pose around Jean’s house, a mirror of absent Mrs. Bates crazy“The best friend of a boy is his mother,” Norman informed Janet Leh’s shifty runway, but adventure crazy Is in stop. What is a shady figure really through the window? Who is a long -haired, knife -powered killer? And how does mysterious maternal grandfather fit in all this? This is the origin of the suspense of the film, a slow release of stress through its 109 -minute runtime.
But the Times has changed, and Murphy’s Ovre is completely devoid of subtlety. In a scene, Hichocock (starred by Tom Hollander) moves around a young anthony Perkins (a supernatural who Pulari) set. crazyExplaining methods that gayin’s killings inspired her new production. He opens an icebox and tells Perkins that it includes “nine protected faith”. Shot on Perkins’s face, the penis of the material drawn on its expression. We don’t need In fact See faith. But it is not a hiccup production; It is a Ryan Murphy joint. So, of course, the camera bites the faith. And then back in Perkins. And then back in faith.
Our society shakes a lot of hands about the prediction for the Gore True Crime, an inclination that has been metastized in the Internet era. In 1940 and 50s – when Demon Set and when it is crazy Filmed – public sensitivity about the serial killer was clear. They proved to be terrible fodder, filling the pages of tabloid rags and pulp magazines. But when it came to painting these crimes, they were veil under the cloak of imagination. Author of Robert Baloch, crazyWhich was revealed in 1959 and was rapidly adapted to the screen, only inspired by the gayin only by the loose methods (mother-son relationship, especially, as well as interested in the shrunk head). Similarly, the manufacturer of Tobe Hobar, Texas Chainsaw Massacre The franchise, took inspiration from the count, mainly to their skin wearing crazy, leatherface, but transferred action and rebuilt the plot.
Like Murphy reduces the basic tendency of human character
Murphy’s gayin – as with his Dahmer and Menandage brothers – just plain old genes. His crime is his crime. There is no possibility for violence. The open question, as Gayin killed his brother, has been answered. Unresolved offenses in which the gene was implicated, but was amazed-as the 14-year-old Dai Dai was played here by Dai Evalin Hartley (24-year-old Ticketkocok Star Edison Rai may be tied in his underwear) due to the disappearance of him. Ilse Koch, “Komandeouse of Buchanwald”, who abolished inexplicable offenses during Holocaust, appears in psychological fantasies played by Vicky Cryps. In the closing moments, an aged, disorganized genes are thanked by Charles Manson, Ed Cumper, Jerry Brudos and Richard Spec for being a “role model”. It is like the Avengers, only with the killers of women.
The horror like Murphy is rapidly literal. He shows faith. In a way, it is more honest about human nature than the incompatibility of Hitchcock, which accepts the power of real violence but mutes it with imagination. “” I think enough people have told my story, “Gin accepted, on his death.” They know it better than me. “Later Demon It disagrees – with at least the first part.
‘Monster: The Ad Jean Story’ is now on Netflix